The Naked I: Insides Out – Get to Know Liana Yang

This winter, 20% Theatre Company is thrilled to present the world premiere of The Naked I: Insides Out – the 3rd in a series of Naked I plays that explore queer and trans* experiences through monologues, short scenes, and spoken word poems. The show was created over the past year by selecting 25 of 119 stories submitted by community members. This newest installment of The Naked I will involve over 75 LGBTQ artists and allies – including contributing writers, directors, performers, designers, technicians and supporting staff.

You can see The Naked I: Insides Out February 13-23, 2014 at Intermedia Arts in Minneapolis. Purchase tickets now!

Over the next several weeks, we will be featuring interviews from a variety of The Naked I: Insides Out artists.  We recently asked Liana Yang what she had to say about The Naked I: Insides Out.
Liana

What attracted you to audition for The Naked I: Insides Out?

I can still recall the first time I saw The Naked I: Wide Open in 2012, I felt so at home and inspired by the stories and its performers that needless to say, my life was changed forever. I auditioned because I wanted to be a part of something that had affected me so deeply and on such a personal and spiritual level, that when I am listening to, watching, or performing these stories, it feels to me like such an honor and privilege to be able to share it with the outside world; the thoughts and feelings of my internal world.

Have you ever acted before? If so, in what? When?

That’s a funny question, my knee jerk reply would be to say “no” as I have had no experience with formal training in acting.  However, when my wits overpower my senses to be more serious, I would jokingly say, “why yes, I have been acting for most of my life as the person that society wanted to cage me up into being.”

Jokes aside, I have had very little acting experience, the last acting performance that I gave was when I was in 4th grade.

What is your role in The Naked I: Insides Out? What do you like most about the piece you are working on and your relationship to it as a performer?

People who come to see the show will see me in act called “He calls me mama” written by Zealot Hamm.  On the day of the audition, it was this particular piece that resonated with me on such a personal level that I wanted so bad to have the part. What I love most about this piece is that in its own unique way, it allows the audience to see and experience the world of motherhood through the eyes of a transgendered woman.  It addresses common fears and misconceptions while still connecting the audience with the common experiences that all women share as mothers.

Had you ever seen any version of The Naked I before? If so, what were your thoughts?

Yes, I am a proud audience member of the last production, The Naked I: Wide Open. I remember arriving at the theatre on a cold winter’s night and as the show started, I was entranced by the performances and the touching stories.  I remember crying, laughing, being angry at the world, then feeling inspired and validated by the end of the night.

I never would have dreamed that I would become a part of this production. As person who believes in destiny, I believe that this was all meant to be. I hope to take this opportunity to inspire others the way I have been inspired.

What about this production excites you most?

Everything excites me about this production, seeing so many talented artists working on their pieces is really inspiring.  However, something that is especiallyimportant for me is the journey onto the stage: meeting with my director, learning about theatre, discovering new things about myself and my own potential really begs for me to keep digging deeper.

There is simply something unique, cathartic and powerful about being moved by a powerful script while in the presence of its actors or actresses. I truly believe that real life for the members of the audience can change in one night through the performing arts.

What do you hope/think audiences will take away from seeing  your piece in The Naked I: Insides Out?

I hope that the audience is able to connect with my character, I hope that they are able to connect with her enough to feel comfortable with the idea of considering her a close friend or even a family member. I hope that the audience can take home the fact individuals who fall within the TQLGB spectrum are not people with labels; they are just like everyone else.

I hope that my piece can help contribute to peoples’ acceptance of the fact that transgender families are not that much different from the average, and that the daily realities that transgender parents experience for their children such as love, care, responsibility and accountability are the same as everyone else’s.

More about Liana, the person…

What is your personal pronoun preference?

I am most definitely woman, I do prefer to be addressed with pronouns that are aligned with being one: She/her/sexy babe/Asian Unicorn are all acceptable.

What is your first memory of gender?

I think my earliest memory of gender was when I was 4 or 5 years old.  Every time I visited my auntie, she would bring me to her room and show me her new dresses. Despite feeling happy and excited for her, I also felt sad, frustrated, and confused as to why it was not okay for me to have pretty little dresses and Jelly sandals like all the other girls.

If your gender identity was a food, what would it be?

This is a hard one…I would say something like a Red Velvet cake. But I think this may be more due to the fact that red is my favorite color and that I love cakes and…feel for a slice or three as of this interview.

You feel the most naked when…

I feel most naked when close family and friends slip and identify me by the wrong gender pronoun.  Having said that, I am patient, understanding, and love them all unconditionally.

What do you do in the world, outside of working on this production?

I am a business owner along with my wife.  We are also both students and I am finishing up my master’s degree in clinical counseling.  Throughout the week, if I’m not at my office or in class, I am providing therapy for clients.

I have many hobbies, with acting as one that is currently at the top. I have a passion for training dogs, rescuing, and rehabilitating them so they can be re-homed with appropriate families.

So, if you see an Asian woman riding a tricycle with a pack of dogs attached to it at the local parks, don’t forget to wave.

What if the concept of gender didn’t exist? How would that change your life?

I think then I would have transitioned very early on in my life, most likely before the age of ten.  I come to this conclusion because I’m assuming that if the concept of gender did not exist as it does today; my parents and everyone else would have had no qualms about me putting on a pretty little blue dress and pink Jelly sandals way back when I was a little girl.

What is your most favorite accessory or article of clothing?

I love shoes and bags, I know that it’s such as typical response coming from a woman but, I’m just saying that what I wear for the day is pretty much determined by which pair of shoes I feel like wearing and or which bag I feel like carrying.

Name one of your favorite songs right now.

Songs that are on my playlist on repeat right now are…
One Way Love by Hyolyn and Hero by Family of the Year.

The Naked I: Insides Out – Get to Know Valencia McMurray

This winter, 20% Theatre Company is thrilled to present the world premiere of The Naked I: Insides Out – the 3rd in a series of Naked I plays that explore queer and trans* experiences through monologues, short scenes, and spoken word poems. The show was created over the past year by selecting 25 of 119 stories submitted by community members. This newest installment of The Naked I will involve over 75 LGBTQ artists and allies – including contributing writers, directors, performers, designers, technicians and supporting staff.

You can see The Naked I: Insides Out February 13-23, 2014 at Intermedia Arts in Minneapolis. Purchase tickets now!

Over the next several weeks, we will be featuring interviews from a variety of The Naked I: Insides Out artists.  We recently asked Valencia McMurray what they had to say about The Naked I: Insides Out.

Valencia McMurray

What attracted you to audition for The Naked I: Insides Out?

I saw The Naked I: Wide Open at my school winter 2012, I believe. I also participated in the workshop that was held. I’ve never seen or heard of anything like The Naked I and I definitely fell in love. When I heard there was a new show happening, I had to audition and bring my Spoken Word background into the picture.


Have you ever acted before? If so, in what? When?

I’ve done minimal acting. I was in The Vagina Monologues my freshman year of college. My sister is the actor in the family; I tend to stick to my poetry and have done several small shows with that.


What is your role with the The Naked I: Insides Out? What do you like most about the piece(s) you are working on and your relationship to them as performer?

I am one of the performers in Carpenters. I will also be a body in Requiem for the Queers. I don’t know much about the latter, but I’m really excited for Carpenters. It’s written so beautifully. The metaphors, ah ha moments, and emotions it solidifies are all too real for me. If I were a violin, Carpenters would be my bow.


What about this production excites you most?

Being around so many queers, feeling safe, and doing what I love in a way that means a lot to me in an identity type of way.


What do you hope/think audiences will take away from seeing  your piece in The Naked I: Insides Out?

I hope people get what the author of the piece intended for all of us to get. I think that’s a voice to, not simply carry on by hearing, but rise up with.


More about Valencia, the person…


What is your personal pronoun preference?

I don’t have a preference, except not it/it’s/itself.


What is your first memory of gender?

My first memory is when I was 6 and trying to figure out what the difference was between kissing boys and girls.


If your gender identity was a food, what would it be?

Potatoes. There isn’t anything deep there. I just really like potatoes.


You feel the most naked when…

I feel the most naked when I’m naked or being dehumanized for any part of my identity.


What do you do in the world, outside of working on this production? (job/hobbies, etc.)

I’m a Computer Science senior at Augsburg College. I tutor my peers and participate in Students for Racial Justice. I’m also trying to start a trans* and gender non-conforming space on-campus this semester. I’m a geek! I love technology and I’m a huge gamer.


What if the concept of gender didn’t exist? How would that change your life?

The pressure would be off. God, would it be off. An entire system of oppression is upheld by gender (some might argue that there is more than one system); I can’t even begin to imagine how different my life would be.


What is your most favorite accessory or article of clothing?

Hats! Specifically skullies or longer beanies.


Name one of your favorite songs right now.

Flawless by Beyoncé or the whole album, but that’s one one song, eh?

The Naked I: Insides Out – Get to Know Leslie Lagerstrom

This winter, 20% Theatre Company is thrilled to present the world premiere of The Naked I: Insides Out – the 3rd in a series of Naked I plays that explore queer and trans* experiences through monologues, short scenes, and spoken word poems. The show was created over the past year by selecting 25 of 119 stories submitted by community members. This newest installment of The Naked I will involve over 75 LGBTQ artists and allies – including contributing writers, directors, performers, designers, technicians and supporting staff.

You can see The Naked I: Insides Out February 13-23, 2014 at Intermedia Arts in Minneapolis. Purchase tickets now!

Over the next eight weeks, we will be featuring interviews from a variety of The Naked I: Insides Out artists.  We recently asked Leslie Lagerstrom what she had to say about The Naked I: Insides Out.

Leslie Lagerstrom - playwright for Knock On Wood
Leslie Lagerstrom – playwright for Knock On Wood

What attracted you to The Naked I: Insides Out?

Last year, friends of ours invited my husband and me to attend a production of The Naked I: Wide Open, which we loved.  When the lights went up for intermission I remember them looking at us and saying, “Wow, that was so intense, do you want to leave?” because they knew we had a transgender child and thought the content was more than we could handle.  My husband and I looked at each other and then one of us replied with a chuckle, “…NO, this is our life and this show is providing us with total affirmation!”


What type of role will you have in the production of The Naked I: Insides Out?

My contribution to this production is as a playwright, which seems strange to say because I never considered myself to be one.  I wrote a story about our experience raising a transgender child and I was honored and thrilled to have it chosen to be part of The Naked I:  Insides Out.


What do you hope/think audiences might take away from seeing your piece Knock on Wood in The Naked I: Insides Out?

I’m hoping my story will leave the audience thinking about two different points-of-view that many might not consider – what it is like for a child that is transgender and the challenges their parents face trying to keep them safe and secure within a society that can still be quite intolerant.


What is your pronoun preference?

She/Her


What do you do in the world, outside of working on this production?

I’m an advocate for transgender children and their families.  Through my blog, Transparenthood, I have been able to shed light on what transgender children and their families go through on a daily basis – the good, the bad and everything in-between.  The blog has given me a national soapbox, as The Huffington Post, More Magazine Online, and The Good Men Project have all featured my essays that they found on Transparenthood.  I am also a volunteer speaker for Welcoming Schools – an initiative by the Human Rights Campaign to educate K-12 teachers on transgender issues.  And most recently, I have been invited to be on the Board of Directors of TransActive, a national trans youth advocacy group that provides counseling and referrals to those in need all over the world.  And when I am not doing that I love walking around Lake Harriet with our dog, Molly – a black lab/collie mix of a mutt that we love with all of our hearts.


What is the strangest or most interesting job you have ever had?

My most interesting was the first job I had after college – I was hired by a small advertising firm in the Minneapolis Warehouse District (in 1989 when it was not yet cool to say you worked in that area of the city).  I was given the title ‘Assistant Director of Creative Services,’ which sounded impressive for a new graduate, but truth be told it could have been, ‘Gopher Girl’ because that is what I did for them – ran a lot of errands.  Back then I drove type to the keyliner (that will age me), helped paint sets for commercials we were producing for Daytons and managed the firms accounts payable and receivable.  I didn’t realize it at the time, but it was probably the best job that I could have ever had because it exposed me to all areas of the advertising field and opened doors for me to be hired to manage an in-house agency of a large manufacturer for the 21 years that followed.


What is your first memory of gender? 

I can’t really recall my first memory of gender.  I believe that our gender is hard wired at birth, and so I have always known I was female and have never questioned other people’s belief as to who they are.


How has your concept of gender changed since raising your children?

I’ve come to understand that gender is a spectrum instead of binary.  Before we had our children I just thought of gender as male or female but have since learned that the concept is more complex and something I wish was more widely understood and talked about within our society.


What has been the most rewarding or difficult part of raising a transgender child?

The most rewarding part of raising a transgender child are the incredible people we have met along the way…people that we would not have had the opportunity to know, respect and love, had we not been given this life experience.  We have been overwhelmed by so many kind souls that we can attest to the fact that good does outweigh the bad – sometimes it just takes a little longer to realize.


What if the concept of gender didn’t exist? How would that change your life?

It would have saved my child and therefore our family a lot of heartache because when he hurts we all hurt.  I envision that without the concept of gender Sam could have avoided a lot of bullying and ostracizing, and his peers would have gotten to know and love him for the wonderful kid he is instead of being influenced by ignorance.


What is your most favorite accessory or article of clothing?

I love my current backpack purse.  It reminds me of a magician’s hat because it can hold hundreds of things and converts to be a cross body handbag that comes in handy when I feel the need to hide some fat rolls (grin).


Leslie, you feel the most naked when…

…we have to share with a stranger that our child is transgender (such as a new doctor, teacher, college recruiter).  I feel naked as I wait to read their reaction…to determine if we are dealing with an ally, someone we need to educate, or a person that is going to be prejudice against my child.


What is your favorite song right now?

‘On Top of the World’ by Imagine Dragons.   I just used the song to accompany a photo montage of trans children from as far away as New Zealand, as close as Mahtomedi and everywhere in between, who are smiling and happy.  Every time I hear the song it makes me smile thinking of all these kids who know their true identity and are brave enough to share it with the world.  We are in good company, indeed!

The Naked I: Insides Out – Get to Know Andrea Jenkins

This winter, 20% Theatre Company is thrilled to present the world premiere of The Naked I: Insides Out – the 3rd in a series of Naked I plays that explore queer and trans* experiences through monologues, short scenes, and spoken word poems. The show was created over the past year by selecting 25 of 119 stories submitted by community members. This newest installment of The Naked I will involve over 75 LGBTQ artists and allies – including contributing writers, directors, performers, designers, technicians and supporting staff.

You can see The Naked I: Insides Out February 13-23, 2014 at Intermedia Arts in Minneapolis. Purchase tickets now!

Over the next eight weeks, we will be featuring interviews from a variety of The Naked I: Insides Out artists.  We recently asked Andrea Jenkins what she had to say about The Naked I: Insides Out.

Andrea Jenkins

What attracted you to The Naked I: Insides Out?

I saw the first show The Naked I, and was deeply moved by the honesty shared on the stage. It featured trans and queer performers, and the audience was amazing. Coming from a transgender experience myself it was a beautiful thing to watch our collective voice take the stage.

What type of role will you have in the production of The Naked I: Insides Out

I wrote the piece called “A Requiem for the Queers: or why we wear the color purple.” I will also perform the piece.

In the last show, The Naked I: Wide Open, you wrote a piece but did not perform it. How do you anticipate performing your own piece (this time) will change your experience?

The piece I wrote for The Naked I: Wide Open, “Pink and Blue, a (short) Love Story” was deeply personal, I really wanted to see a director and actors take the words and make them their own. I received a lot of positive feedback from the piece. This time I want to take a larger role in the production and challenge myself in a new way by learning lines and interacting with the cast and the audience.

What do you hope/think audiences might take away from your piece in particular? 

“A Requiem for the Queers: or why we wear the color purple” is really a piece about empowerment, it also highlights some events and people that have been very instrumental in the beginning of the Queer Movement in American life. I hope that audiences are informed and inspired to live their lives openly and authentically in a way that takes the movement to a new level focused on Transgender rights and equality.

Now, a little more about Andrea, the person…

What is your pronoun preference?

That is an interesting question, when I first came out as Transgender a little over 20 years ago, I was very sensitive to being mis-gendered and no one was asking this question on a regular basis. Now that it is rapidly becoming more common to pose this question I have become less concerned about the perceived slights and micro-aggressions that come with being mis-gendered. I am more comfortable with being a little ambiguous , that being said, I prefer female pronouns, she, her, etc.

What do you do in the world, outside of working on this production?  

First and foremost I am a Poet, I try to find the beauty and complexity in everything that I do and bring that perspective to the surface. In my day job I work as a Senior Policy for a Minneapolis City Council-member, I have been doing this job for 12 years, it brings me in close contact with other Elected Officials and Policy-makers, as well as direct contact with the community. I am also a teaching artist /activist. I write poetry and prose, plays and performance pieces. I perform throughout the local community and around the country.

One of favorite hobbies is playing Tennis, I’ve played since I was about 14 years old. I like to take long walks and read a good book. Whenever I travel, I try to go a museum or art gallery, or even just take in the public art and architecture of a place.

What is the strangest or most interesting job you have ever had?  

One of the most interesting and I guess some might say strange was that I was a Program Manager for the All Gender Health Program at the Program for Human Sexuality at the University of Minnesota. It was the only job that I ever had that required me to watch porn. I had to do outreach to users on porn sites to invite them to participate in the research projects.

If your gender identity was a food, what would it be? 

Tofu- it would take on the identity of whatever the situation called for.

What is your first memory of gender? 

I remember when I was about six years old I saw these two drag queens on the bus. I was with my mother and sister and I was just fascinated by these men in makeup with blonde wigs. For some reason I was trans-fixed by them, and I remember thinking they’re like me? I was confused.

What if the concept of gender didn’t exist? How would that change your life? 

Hmmm…that’s tough, I think that life would be complicated, I think a better idea would be if gender didn’t matter.

What is your most favorite accessory or article of clothing? 

I guess I would say a hat, I wear them year around and really feel comfortable with something on my head.

Andrea, you feel the most naked when… 

As an African American Transgender woman I feel vulnerable and naked everyday, as I walk through the world. I feel like people know my identity and can use that information as a weapon against me.

What animal best describes the concept of gender you have for yourself?

I have a tattoo of a Scarab on my right arm. A scarab is a dung beetle and was revered in ancient Egypt and prominent in their visual art. They were fascinated with the little bug because it was the only life form that could reproduce itself without a partner, in other words, it is dual gendered. It would lay eggs, rolled it in their dung and leave it in the sun to fertilized.

The Naked I: Insides Out – Get to Know Tobias K. Davis

This winter, 20% Theatre Company is thrilled to present the world premiere of The Naked I: Insides Out– the 3rd in a series of NAKED I plays that explore queer and trans* experiences through monologues, short scenes, and spoken word poems.

The show was created over the past year by selecting 25 of 119 stories submitted by community members. This newest installment of The Naked I will involve over 75 LGBTQ artists and allies – including contributing writers, directors, performers, designers, technicians and supporting staff. You can see The Naked I: Insides Out February 13-23, 2014 at Intermedia Arts in Minneapolis. Purchase tickets now!

Over the next few months, we will be featuring interviews from a variety of The Naked I: Insides Out artists.  We recently asked Tobias K. Davis, creator of The Naked I: Monologues From Beyond the Binary, what he had to say about The Naked I: Insides Out.

Toby and friends
Toby and friends

Toby, you were the creator and mastermind behind The Naked I: Monologues from Beyond the Binary. What prompted you to start creating that play? How and when did you do it? Where has it been produced?

In 2000, when I was in college, there was a production of The Vagina Monologues on campus. I remember thinking about what a powerful play it was for cis women, and wishing that there was a play like that for trans people that examined our experiences with our bodies and our sexuality. I remember saying to a friend, “Someone should write a trans version of The Vagina Monologues.” I didn’t think it would be me, though, since at the time I was terrified of talking or even thinking about my own body.  Playwriting is my way of facing my fears, so a few months later, when trying to decide on a project for my senior thesis in playwriting, I realized I needed to write this play, both for myself and for my trans community.

The Naked I has proven to be my most popular play to date, and has been produced all over the United States, from New York to Pennsylvania to California, and, of course, in Minneapolis. I’ve just done the casting for a new production, which I will be co-directing in Massachusetts in March.


How did your process in creating The Naked I: Monologues from Beyond the Binary differ from what 20% Theatre has done in creating The Naked I: Wide Open and The Naked I: Insides Out?

I began by gathering data via an internet survey asking trans and gender non-conforming people to share their experiences with their bodies so that I could use their answers to create monologues. I distributed paper copies of the survey at trans events. I also put out a call for submissions of pieces written by others. I selected and edited these pieces to make them more theatrical and create a cohesive play.

20% has broadened the scope of the work beyond my original vision; they call for submissions about all kinds of experiences of trans and gender non-conforming people, whereas I was originally focused on experiences of body and sexuality.  Both methods create pieces that reflect the wide range of voices and experiences in our trans community.


In what ways have you been involved in the creation of The Naked I: Insides Out?

To my delight, I got to submit one of my own pieces of writing this time around. It was a powerful experience to reflect on how my own attitude toward my body has changed in 10 years. My piece was selected to be combined with two other wonderful pieces into a single piece called Mirrors. I helped Claire and the other two authors interweave our stories to create an even more powerful new piece. It was a lot of fun!


Given that 20% Theatre is committed to making this an ongoing series of shows, where do you hope this continuing project goes? What has been left unsaid?

One of my challenges when I was first writing The Naked I: Monologues From Beyond the Binary was my desire to include every type of trans and gender non-conforming experience that I could. Of course that’s impossible, so I am grateful that this project lives on, because there are still so many voices that need to be heard!


What do you hope/think audiences might take away from seeing The Naked I: Insides Out?

In so many ways, the mainstream media paints transgender people as less than human. My hope for all of these plays is that they restore us to our rightful humanity.

Now, a little more about Toby, the person…


What is your pronoun preference?

He/him/his.


Where do you live?

I live in Northampton, Massachusetts with my beloved partner cmoore, my dog Albee, my cats Chaucer and Milton, and my parrots Icarus and Daedalus.


If your gender identity was a food, what would it be?

A quiche. Something warm and comforting (and very cheesy), but not very “manly.”


What do you do in the world, outside of working on this production? (jobs/hobbies/etc)

I work at the Smith College School for Social Work as an administrator. I also recently finished a graduate degree in Social Justice Education at the University of Massachusetts, Amherst, and I have been conducting workshops and trainings on various social justice issues. I am very involved in my church, the Haydenville Congregational Church, which is a radically inclusive UCC church. At home I am frequently found snuggling a pile of dogs (my partner is a dog trainer and runs a dog boarding business out of our home) or taking my god-child Casey to the Y for swimming and other fun classes.


What is your first memory of gender?

When I was about three, I was playing in a sandbox when an adult asked me if I was a boy or a girl. I didn’t know how to answer that question, so I just told them my name.


What if the concept of gender didn’t exist? How would that change your life?

On the one hand, I would have a lot more free brain space because I wouldn’t be thinking about gender all the time or worrying about my safety or the safety of members of my community. On the other hand, gender is one of the beautiful and powerful ways in which we express ourselves. I think I would prefer a world in which there were lots and lots of options for gender, and none of them was privileged above any other.


Toby, you feel the most naked when…

I feel most naked when people objectify me and don’t see me as a real human being.


What animal best describes the concept of gender you have for yourself?

A manatee. They are so cuddly looking, goofy to look at, and seem to go about their business without being too bothered by the outside world.


Want to see Mirrors co-created by Tobias K. Davis, Sam Berliner, and TJ Carley in The Naked I: Insides Out? Purchase your tickets now!